![]() Both comics cover a significant part of the author’s life, but their memories are based on different fraught motifs sexuality and race. Both comics emulate struggles of Bechdel and Barry’s childhood, the importance of guidance and support that parent’s give, and the process of coping with difference and segregation in our society. Bechdel and Barry explore the pressure of being disregarded or becoming an outsider once the truth is known.Īlthough Alison Bechdel’s Fun Home and Lynda Barry’s One! Hundred! Demons! address different motifs of difference- sexuality in the former and race and class in the latter – as well as using iconography differently, their similarities in terms of transition and closure, though not chronological, in retrospect and detail of the images and word description of their childhood memories are what invite the marginalized reader to come out of hiding. ![]() Alison Bechdel’s Fun Home and Lynda Barry’s One! Hundred! Demons! direct the importance of how to manage Both stories cover a vast experience of childhood that deals with concealing the truth from the people around, the society that denies them the freedom to become a genuine individual. ![]()
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